What you will find in this section
Our ground-breaking bio-social approach, rooted in Maturana and Varela's powerful theory of the biology of cognition - gives rise to a unique synthesis of the biological, social, cultural and personal levels of human reality. This is the foundation for our integrated account of emotional intelligence and lived reality, with new insights into the generation of language, and the evolution of language and culture. The key concept here is "structural coupling" which is the ground for all bio-social interaction, and the continuous evolution of consensual domain.
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Who am I?
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I am Michael Roth, the author of all
the material on this site. While training as a medical doctor, I was
also an alumnus at the famed AntiUniversity of London (1968-1969), and
became involved with the alternative psychiatry movement in that era
and later.
I worked and studied with the existential psycho-analyst
R.D.Laing, and was a founder-member of the Arbours Association
(London), which provides alternative care for persons diagnosed with
severe mental illness.
My research path has taken me into spheres of
philosophy, social politics, linguistics and anthropology - whilst I
have continued to seek out a genuine way of relating to other human
beings in the troubled milieux of psychiatry, communal living, and
twentieth and twenty-first century social and cultural instability.
I have been consistently inter-disciplinary in all of my
reading and exploration, and the personal and philosophical insights to
which this has given rise are almost always outside the prevailing
classifications - or accepted lists of subjects.
The following authors are they whose work I have been
most deeply occupied with, at different times in my life. This has
often entailed exploring what the actual world feels like, within the
patterns and definitions of life offered by these people. I have also
written extensively, and often critically, about many of them.
Philosophy
- Jean-Paul Sartre
- Martin Buber
- Lao Ze
- St Matthew
- St Mark
- St Luke
- St John
- Rudolf Bultmann
- Paul Ricoeur
- Richard Rorty
- Robert Pirsig
- Donald Davidson
- Jacques Derrida
- Benedetto Croce
- Charles Peirce
- John Dewey
- A.N.Whitehead
- J.H.Randall
- Justus Buchler
- Martha Nussbaum
Biology, Physiology, Ethology and
Cybernetics
Anthropology
- Mary Douglas
- Gregory Bateson
- Milton Ericson
- R.D.Laing
- David Cooper
- Clifford Geertz
- Victor Turner
Virtual Reality
Psychology
- Eugene Gendlin
- Arnold Mindell
- M. Scott Peck
I am the foremost exponent of Charlotte M. Bach's
ground-breaking theories of emergent evolution, described in my A Bolt From the Bleeding Sky
(Dielectric Publications, London, 1984). I continue to work as a
psychiatrist and as a researcher into holistic methods of facilitating
social change. This used to include facilitation and training sponsored by the
organization, Community Building in Britain which developed and disseminated the
work of the holistic psychiatrist M. Scott Peck through the 90s and noughties.
I am also involved in an exploratory research group
seeking to fuse poetic, practical and fantastical modes of action to
create significant cultural/political interventions in the here and now.
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From the Organic to the
Personal.
Layers of Complexity
Now we need a bridge between our insights of
the previous chapter and the
broader picture we have been developing since the beginning of this
study. The gap between an amoeba living out its muddy existence, and
ourselves with
our science, philosophy, cathedrals and telecommunications satellites
is a
formidable one, and so the translation will not be as simple as we
might wish. This is partly because our life is so much more complicated
(at both the
physical and the social level) than that of the amoeba; we shall
consider this
aspect first.
We begin by imagining a series of layers of complexity,
reaching from the life of
individual cells, all the way up to the level of a global individual
human
physiology. We need to think of each layer in this organisation (for
instance,
our immunological, endocrine and nervous systems) as a sub-system in
its own
right, having its own measure of autonomy and - in the same terms as we
described the working of the amoeba in our previous chapter - its own
sequence of global internal states. Like the single cell, each
sub-system has its
physiological arousal or quiescence, its state of comfort or stress,
and its own
mechanisms which are operating to restore a comfortable and viable
balance
amongst the component elements. These sub-systems embody layer upon
layer of structural couplings, relating to different layers of
themselves, to each
other, and to the biological milieu in which they operate.
We may also imagine that during the thousands of millions of
years of evolution
of increasingly complex living structures, there has been a parallel
increase in
the complexity of patterns of behaviour. In the evolutionary line
leading to pre-human primates, we see a phenomenal growth in
sophistication in the sub-systems concerned with information and
behavioural control. There is not just
a greater range of behaviour, but a much greater adaptability - and a
readiness
to improvise new behaviours for new situations. This has led to the set
of skills
we considered in the section entitled: Re-defining
intelligence - the skills that underwrite the sophisicated
engagement with life that we call "human. All of this may be thought of
as an
elaboration of the fundamental pattern of auto-poiesis.
As we take our imaginary journey, ascending the levels of our
physical
organisation in the direction of an integrated overall sense of
"myself", we need
to remind ourselves of something we considered earlier(1)
- how each higher
level includes the lower levels, as a whole includes its
parts. Whatever happens
at the higher level is dependent upon the contribution which all of the
lower
levels are making, although it need not be strictly determined by them.
Thus
the lower levels, by their own auto-poietic activity, create the
conditions for my
presence in the here and now; but there is a higher-level "me" who
still has to
orient myself as a person, and decide what to do.
This leads us to the second important difference between the
biological account
of auto-poiesis and our personal experience of knowing, feeling and
acting in
the world. The former is our account of the organism
and its world (given to the
best of our understanding but from the position of an external,
scientific
observer); but when we explore the human landscape we are giving an
account
of ourselves and our own world. However
sophisticated our account of the
organisation of a living body may become in the future, there is a
conceptual
gulf between auto-poiesis and the all-important dimension of subjectivity
in
human life.
Why we have to be subjective.
Subjectivity is the first-person dimension of
perception, feeling and thought
which also includes the sense that each one of us is the author and
initiator of
our own judgments and actions (2). It has
been our constant but unassuming
companion throughout this study, and it is already built in to our
concept of "the
landscape of fact and feeling" as we have been developing this in other
sections of this work.
We need to notice two distinct components of subjectivity - not
logically equivalent to one another but so closely intertwined that we
may easily
mix them up. These are the sense of being with myself and my
world in every
waking moment, and my ability to refer to myself and my
world. Both of these
are reflexive constructions - I am simultaneously "the subject" and
"the object" -
but it is a subtly different kind of reflexivity in the two instances.
In the first
case, I am the object of my own awareness, and in the second I am the
object
of my own assertions. In both cases there is a a non-coincidence of the
self
with itself - a kind of doubling, which we shall need to explore
further in other contexts.
Subjectivity is another of those features of our life which is so close
to us that it
can be easy to ignore or take for granted. It is of central importance
in every
form of human enquiry (dependent as this is upon the exchange of
experiences
and judgments between human subjects). It is a major irony,
therefore, how
often we hear the term "subjective" used to downgrade another point of
view. People will speak of a "merely subjective" viewpoint, and equate
this with
caprice or intellectual dishonesty. They should realize that there is a
subtle and
far more dangerous trap nearby, that of failing to recognize the
personal and
subjective dimensions which are a necessary part of having a
point of view in
the first place.
The danger is especially prevalent when we enter into the
scientific forms of discourse, such as my account of auto-poiesis in
the previous
chapter. This type of account seems naturally to frame itself as if it
were a
faithful report of events as they unfold themselves within their own
physical or
interactional space. This can lead us to forget that it is first and
foremost a story
that is being told, albeit a story which is open to being
checked against the best
available scientific criticism, hypothesis and observation. Once we are
clear
about this it is easier for us to let the scientific account take its
place among all
the other kinds of human conversation or judgment - as being
inescapably
bound up with subjectivity.
When we described the auto-poietic system, we did not refer directly to
any
personal "subject", but we can now see that the subjective dimension is
present
in the background. It is implicit in the activity - both practical and
theoretical -
of the scientist in her hunger to understand, and in her intensive
relationship
with the variety of systems she is working with. It is also present in
the
dialogue which takes place between scientists - a dialogue which forms
a
continuous background to all scientific activity. (3)
Since the scientist has elected
to relate to the material at hand at a systems level below the
personal, these
aspects of relationship do not appear in the resulting descriptions.
The
descriptions remain, however, descriptions made by people for
other people(4).
As we shall see, the model gives a good account of the wealth of
information
which is available to me through my senses and through my inner
processing. Indeed it is a major advance on previous biological
thinking, which has
persisted in representing the living organism as a kind of
sophisticated robot. Yet in this account there is still no trace of the
irreducible sense of mine-ness(5)
which pervades every element in our familiar landscape of fact and
feeling. It is
significant that the entire structure we have been describing could
just as easily
count as a model for anyone else, or indeed for any other animal.
How are we to make sense of this lack of any real sense of "me" in an
account
which in other respects has a persuasive ring of truth about it? We
should note
how extensive is the deficiency: within our actual experience even the
material
objects are ordered within a spatial perspective which - unlike the
biologist's
"physical space" - is centred upon my own bodily location.
Likewise, my own
body is radically distinct from the impersonal description given by a
biologist - it
is distinct precisely because it is mine. In this
relationship of myself and my
own body, whereby I speak out of my mouth, see with my
eyes, perform
physical actions on my own decision, love from deep within my
own heart, and
face the prospect of my own death, this body of mine marks
itself out from all
the other physical bodies in my world. This extraordinary distinction
has no
counterpart in the account of auto-poiesis, where complex systems are
arranged in physical space and related to one another through their
various
physical and chemical states. There is no "I", no "You", no "He or
She", but only
a collection of "its".
Let us survey some more features of our conscious life which seem not
to be
represented at the level of auto-poiesis:-
1. There is no counterpart in the organic model, for our irreducible
sense of having choices to make at every moment of
subjective
time. Each moment of awareness may be a call to decide between
rival truths, rival interpretations of what is important, or rival
courses of action. In each moment, I am "making up my mind" in
some respect and in some degree, and thereby committing myself
to one direction rather than another. This applies to where I
choose to focus my attention, how I choose to think about things,
and which action I choose to perform. Of course, the degree of
conscious control is variable, and for the time being I may simply
allow myself to "go along with" spontaneous processes which I do
not feel any need to guide in a conscious way. This writer strongly
believes, however, that there is an intrinsic relationship between
the moment of consciousness and having a choice of direction for
the experience or the action which is unfolding in that moment (6).
2. Closely bound up with this feeling of choice, is the sense of
being personally responsible for my actions. There are sometimes
disputes about the degree of choice and the degree of
responsibility: I may perform an act under the compulsion of some
powerful emotion, or under the influence of a drug, and claim that I
had no choice to do otherwise. In both these cases people may
well feel justified in holding me responsible for my actions
regardless of my claim. They may say that I could or should have
been able to control myself, and that strong feelings are no excuse
for bad behaviour. Or, in the case of intoxication, they may argue
that I am responsible anyway for the fact that I rendered myself
into a state I could not control. Regardless of how we decide to
look upon these notions of choice and responsibility, however, it is
clear that they do not have any counterpart in the diagram
representing my global physiological state from moment to
moment.
3. My thoughts, my actions and my feelings entail a kind of
knowing, which is primarily oriented towards the world,
towards
other people and my relationships with these. There is also a kind
of knowing(7) entailed in the
auto-poietic process, but it refers only
to itself, to the pattern of its own process and it does not require
any recognition of a world existing outside this domain. The
meaning of pleasure and pain is similarly transformed; it no longer
applies simply to a physiology that is out of equilibrium with itself.
Pleasure and pain at the personal level refer to the situation we
find ourselves in, in the world and with other people.
4.There has been a mutation even in our most obviously
physiological needs, which at the conscious level are expressed in
the terms of our local culture and thus with direct or indirect
reference to our relationships with other people. For instance,
while every organism needs food in order to stay alive, it is
remarkable that what counts as food for a given person -
frogs'
legs, insect grubs, fried ants or apple strüdel - is determined by
their cultural framework. Likewise with questions relating to my
standing in the primate horde: am I accepted? liked or disliked?,
approved of or condemned? respected, admired or ignored? All
these social positions may well be registered at the level of primate
instinct, and yet what counts as proper respect, or rudeness
(or
perhaps as an interesting challenge to my social resourcefulness),
is determined in the terms of my culture.
5.Corresponding to the sense of having choices to make, the
personal landscape has a time structure altogether different from
the timeless cycles-within-cycles of auto-poiesis; as persons
we
are aware of ourselves within a present moment and a present
situation, unique and never to be repeated - a moment which we
understand against a background of our personal and cultural
history. There is a past, which is where I came from - and beyond
my own past there is that of "my people" recounted in the history
we continue to pass on. It is in terms of this past that I determine
my present plans and commitments.
The present moment is made up of a complex of factors
contributed by me (my habits, dispositions, expectations and plans)
which seems to be interwoven with factors brought to me by
the
world at large. Whether I interact with it or not, the world at this
moment is loaded with manifold inertias and tendencies, and rich
with its own possibilities. Some of these possibilities are
illuminated for me in terms of my own expectations, wishes and
fears, but for the rest I have merely a vague sentiment of the
unpredictability of existence. Within this present moment the
actual course of future events is not yet decided. Some
aspects,
but not the entire pattern, will be determined by what I
decide to
do now. These elements, of personal vulnerability and of personal
choice, both help to pinpoint the personal present as uniquely
mine.
Auto-poietic time, by contrast, is an aloof and impersonal
recurrence of those events (both the desirable and the undesirable
ones) which are relevant to the life-cycle. In one sense, the
auto-poietic organisation exists only in the present - though
with the
entire life-cycle enfolded or encoded within the present
organisation. In another sense, this organisation is totally unable to
register - to form any conception of - a present moment which is
new and unique in the world. The present moment is essentially
the embodiment of my personal relationship with the universe; this
moment demands of me that I find a truthful, personal response;
auto-poiesis knows nothing of this.
Thus there appears to be a puzzling gap between the account of
auto-poiesis,
and our personal experience of life as we live it. It is less of a
puzzle if we think
of these as two distinct systems layers, whose relationship
we still have to find
some way of mapping out. The system of conscious activity (by which
term I
mean to include the roles, objects, actions, intentions, perceptions,
facts and
feelings which we encounter at the personal level) is then revealed as
a level of
organisation one or more layers higher than the system of our
auto-poietic
activity. The challenge for us now is to map out in clearer detail just
what the
relationship is, between conscious activity, and biological activity. I
shall begin
by using an identical form of diagram from the previous chapter and
using it
twice over: firstly to represent a sequence of events from our own
auto-poeisis
and secondly to represent a sequence of conscious activity. This may
seem at
first to be an alarming degree of simplification, but I think it will
prove to be a
revealing exercise of comparison and contrast.
In both of these cases we have something whose pattern is
changing with the
passage of time: in Figure 1 it is the present state of my physiology
which is
being depicted; in Figure 2 it is the state of my experience - both
felt and
perceived. I want to trace a short trajectory on each diagram,
representing a
series of "changes of state" through time.
Figure
1
Figure 1 repeats the usage we
established in chapter six. It represents the person as a biological
system,
showing all possible internal states that are compatible with life -
just as we did
with the Amoeba. The trajectory marked out by the arrows a1
>> a2 >> a3, is a
sequence of global internal states in transition from moment
to moment (8).
Figure
2
Figure
2 represents something very different - a sequence of moments of my
conscious experience. In the light of remarks I made in chapter three,
about the
mutual implication of facts and feelings, we need to read each of these
moments as a conjunction of mutually relevant fact and feeling.
This also
includes actions - our actions are registered in our
experience as both fact and
feeling at the same time, that is: the feeling of performing the
action, and the
fact of its being done. The enclosed space in Figure 2 represents all
possible
moments of experience (fact, feeling and action) which are compatible
with life.
It is divided into two regions, of painful and pleasurable experience.
This is the
analogy - in terms of how we feel it - for the demarcation in
Figure 1, between
physiological stress and physiological comfort.
Each successive point in the
trajectory marked on Figure 2 ( a1 >> a2
>> a3) represents one moment of my
experience - consisting of one fact that I am entertaining (or one
action I am
performing) together with the background of feeling from which this
fact (or
this action) has emerged. Any shift, whether it be in fact, feeling or
action, is
marked by an arrowed line which directs us to the next moment of
experience.
We should note in passing that the experience referred to here
is not merely a
private inner world; the perceptions, beliefs, actions and feelings in
question are
items in a constant process of exchange through human interaction and
conversation. Recognizing some given fact or feeling in my own
experience
also entails that I recognize it as something another person could
likewise
experience, under the right circumstances. Facts and feelings
are, of their very
nature, interchangeable between persons(9).
It is for this reason that they can be
portrayed by actors on the stage and the screen, and lived through
vicariously
by an attentive audience. Thus each of the steps shown on Figure 2 can
also
be matched up to a "beat" in an actor's plan of interaction, that is:
one precise
reaction, energetic shift, act or utterance which moves the story on to
the next
immediate response.
What do these two diagrams have to do with one another? We
will assume for
the sake of argument that the sequence on both diagrams ( a1
>> a2 >> a3)
corresponds to more or less the same span(10)
of clock time in one person's life. For illustration we shall return to
a previous dramatic encounter which we
looked at in chapter four, above - in which Antipholus of Ephesus
disputes with
Angelo the goldsmith about the supply of (and non-payment for) a gold
chain. Figure 2, I have said, represents a series of "beats". The
opening beat of their
interaction, "a1" is the moment
when Antipholus catches sight of the goldsmith
in the street. The second beat, "a2",
is his compaint to the goldsmith that he has
not received the chain yet. Then he pauses to receive the goldsmith's
response,
which is the third beat, "a3".
What, in this case, does Figure 1 represent? Broadly speaking,
it is the global
physiological state of Antipholus, in each of these three beats. In
order to make
more detailed sense of this, we have to imagine ourselves in his shoes
What is
entailed in noticing and recognizing someone in the street, and forming
a
specific intention in regard to him? There is visual recognition of
course, but
this is not merely the recognition of a certain shape - it is Angelo
whom he
recognizes, with all the associated personal and social history that is
implicit in
this. So Antipholus' concerns about the chain also come to mind and a
spontaneous request for its delivery follows on from this.
An unconscious operating system.
All these mental
operations fall within the capacity of a sophisticated computer and so
it is no
stretch for our imagination to believe that the auto-poietic system is
responsible
for it. The goldsmith is recognized, the relevant memories and concerns
are
delivered to Antipholus' conscious mind, and it is hardly even a
conscious
decision for him to confront the goldsmith about the chain he has not
yet
received. We would say that he speaks "without thinking". Though the
conscious state of mind may be relatively simple, there is much work
going on
behind the scenes here, to do with those complex computational tasks of
practical recognition, information retrieval and intelligent response
which we
already began to consider in other sections. (11).
Underneath every conscious "beat" there is the same underlying
complexity. It
is something like the film and production crew which supports the film
actor's
performance of the role. We can watch the film in complete unawareness
of
everything but the character and his world. In our everyday actions we
are
oblivious, in a very similar way, to the action of our own physiology.
For
example: I reach out to pick up my pen; here I am relying upon
innumerable
sub-systems of physiological control, whose automatic functioning I
take
completely for granted. Thus as I start to scribble the next few
phrases, my
conscious intention is backed up by a complex choreography of muscles
and
bones. It depends upon sub-systems such as: a tracking system which
manages hand-eye co-ordination; a stabilising system which holds
proximal
joints (shoulder and spine) steady, whilst allowing the distal joints
of elbow
wrist and fingers freedom to enact the trajectory of my seeking
fingertips; a
damping system which absorbs the untidy and inefficient oscillations(12) which
any goal-seeking mechanism will otherwise exhibit. In the resultant
action my
shoulder steadies itself to carry the extra weight of my arm reaching
sideways;
at the same moment there is a counter-balancing movement in my spine,
and
there is a co-ordination of numerous muscles in my arm, wrist and
fingers, to
converge gracefully upon the pen which continues its delicate tracings
upon the
paper. Most of this action wells up pre-assembled from the depths of my
physiology, seemingly of its own accord. It was apparently not
dependent upon
my conscious deliberation - but it was indeed my conscious decision to
pick up
the pen. The whole complex autonomic routine, it appears, was called
into play
by that conscious decision.
Bio-social and cultural operating systems.
(A system of archetypes)
Returning to Figure 1 now, we can see it more
clearly as the physiological
support system for everything that is happening within the landscape of
fact
and feeling. One of its functions is to be the delivery system for the
"Hypertext"
I have previously spoken of (13). In
this respect our physiology is providing and
operating an active window on a selected range of conscious concerns -
those
things that feel important (14), or
things which are held in the balance in this
immediate moment. These are the jam puffs, angry facial expressions,
cardboard boxes, the mutual sympathy of lovers or the right to vote,
the objects
which - with all their relevant qualities - have engaged our attention.
They
appear in the guise of essential ingredients to each "beat" of our
conscious
engagement with the world. They are also things which are evidently already
organised, so that whichever direction we turn there is a wealth
of fresh detail
available to us - ready-made patterns and connections swinging into
view in
response to the smallest movement of our attention. Beneath the level
of
conscious awareness we have this underlying organisation, self-directed
and - if
the broad argument of the preceding chapter is correct - attuned with
our
environment through thousands upon millions of years of past
interaction and
evolution. For the source and the vehicle of the information and
organisation is
living cells, doing exactly what they best know how to
do and have been
practising for all of those millions of years.
What, then, of the transition that has occurred - between the
level of auto-poiesis where the information is all about the state of
the organism itself, and
the personal landscape of fact and feeling in which we are concerned
with our
relationships with other people and with the world around us? To
understand
this transition we need to turn our attention away from the system that
is doing
the work of recognizing, organising and choreographing, to focus
instead upon
what is being recognized, organised and choreographed.
The account of auto-poiesis which I have given so far has been a
regrettable simplification, but with
the valid purpose of giving us a clear view of one systems level at a
time. We
now have to expand our view to include something else that is going on
over
and above auto-poiesis, a commitment in our life which we hold in
common
with most plants and animals. There is something we are required to
recognize
and organise - a dance of intricate and magical choreography which
changes
the entire frame of reference and shifts us to a different order of
functioning. It
is the incorporation into our life-cycle of an essential relationship
with other
members of our own species. In human evolution this has occurred three
times
over; the most ancient of these is sexual love.
The Need for Each Other.
Sexuality - the gendered life - is a
fundamental commitment to something
different from creating and maintaining our own organism. As a sexual
being I
have a deep down hunger to join with a partner of the opposite sex -
which
means someone equally complex as myself yet in a mysterious way
different -
without whom my life-cycle cannot be completed. This is true for all
the gendered plants and animals: a fulfilled life must include finding
a partner, and
joining in a progression of changes. It begins in the moment we first
notice one
another (15), moving to an increasingly
delicate attunement, a moment of choosing
and a final surrender to a new pattern of life in partnership (16). Our auto-poietic
process is set up in such a way that we are thrown into a world of
compulsory
co-operation. It is compulsory because our entire genetic line is
vulnerable to
failure in this area - able to be wiped out by something even as
trivial as bad
timing.
Another way to think about this, is that the advent of
sexuality in the plant or
animal life-cycle shifts the auto-poietic process itself to a new
level, where it has
to submit to government by a new and different dimension of pleasure
and
pain. We are hurt at the deepest possible level, if our coupling should
be
threatened, or damaged, or should end in failure. Another radical
shift: success
or failure is no longer inscribed first and foremost within our
internal biology (as
I described it for the amoeba in chapter six); now it dwells amidst the
rhythms
of our consensual domain. (It shows itself within our biology, to be
sure, but as
an echo of what is happening between the two of us.)
In the terms of our discussion of consensual domain in chapter
eight, we have
uncovered a new level of concern which must count as a systems domain
in its
own right. It has its own specialised symbolic language of display and
recognition, call and response, demand and consent - with specialised
sub-languages relating to different phases of the life cycle. (In
childhood we submit
to the discourse of parent-child behaviour, but we also play with
this same
relationship pattern amongst our peers; in adolescence specialised
arena
behaviour emerges, in which gender roles are elaborated and rehearsed,
fledgling adult identities are being tried out, possibly in many guises
before the
right one is found. Then there is a shift from the adolescent
exploration which
takes place mainly in the company of same-sex groupings - towards
actual
courting behaviour (much of it well-rehearsed during the previous
phase). Courting behaviour is a world in miniature, where the entire
gendered life-cycle
is played with in a kind of rehearsal, with one - or perhaps
with a series - of
prospective partners. A further shift leads into the intense
pair-bonded love
relationship which has been designated pre-copulatory behaviour
by some
authorities; distinct from the actual commitment of sexual intercourse
- which is
the point where two individuals find themselves irreversibly engaged,
and
transformed into a new configuration altogether: the pair-bonded(17) couple and
oncoming new family.)
At each of these stages a different lexicon of signals - and a
different logic of
relationship - comes into play. At every point on the life-cycle, a
mutual
interchange either fits or it does not fit; either it
feels right or it does not feel right. These are the
same basic distinctions which I referred to in the earlier chapter -
the simple undifferentiated categories of auto-poietic logic. These
basic
categories still apply at the level of instinctive gendered behaviour,
but at some
time in our evolutionary past the lexicon and the logic have been
transformed
and made relevant to the species-specific reproductory cycle as it
continues to
re-create itself in our own times.
The emergence of this higher level can be pictured in other
ways than this. In
chapter six I gave an account of how the straight lines of cause and
effect -
causality which we understand from simple practical actions like
stacking jars on
a shelf or the functioning of clockwork - are co-opted by the process
of auto-poiesis into cyclical patterns of causality. We have
now uncovered another form
of co-option, into a different dimension of circular causation. Within
the domain
of our relationship, the effects of my actions depend
significantly on how you
are interpreting and reacting to them, and in their turn your
actions have their
effect and meaning determined by the way that I am responding to them.
This
is the same kind of pattern as we described in chapter six under the
names of
structural coupling and consensual domain. The
difference is that in this new
context we recognize an intimate coupling between equals - and which is
essential to the continued existence of our species.
There are more ramifications to this. Under the influence of
the simplistic
assumptions of nineteenth and twentieth century biology, we have tended
to
think of our physical and mental functioning as being a co-operation of
an
individual brain with an individual body. Our present argument makes it
clear
that these individual brains and bodies have evolved within a
communicational
field such that both brains are equally responsible for the
integrated behaviour
of the couple. None of these brains and bodies has any evolutionary
future
unless they can establish and maintain a working harmony amongst all
four
components.
I have maintained the focus upon sexuality because - within
the span of our
evolutionary history - it was the first and decisive enfolding of our
auto-poietic
pattern with the life of another. It was the first move into a social
dimension of
existence. In a more recent evolutionary epoch there has been a second
enfolding, affecting only our close relatives in the classes of mammals
and of
birds. We share with ducklings and kittens the plight of being born in
a state of
utter helplessness; thus we are initiated into a social existence from
the
moment of birth through our structural coupling with our mother.
Everything I
have said about sexual coupling applies with equal force to the
coupling of the
infant organism with the nurturing parent or parents. It also applies
to the
looser but mutually dependent social network which we have evolved in
common with other anthropoid species which centres on the immediate and
extended family in the shape of a tribe. In all these ways:
male-and-female,
mother-and-child, and tribal nexus, the individual organic life has
been
surrendered to the consensual domain of "significant others". The chain
of
species survival has come to depend upon the integrity of this entire
co-operative network(18).
In order to emphasise its close kinship with the auto-poietic
layer of our
organisation, I am naming this domain of elementary social
relationships the
"bio-social layer". These are social connections which
are driven by the internal
demands of the life-cycle. They are timeless, repeated in every
generation as
an essential element of life together. Their subject matter is the
building of trust, co-operation and loyalty: between mating partners,
between children and
parents, between siblings and amongst the wider family group. Hence
also the
recognition of kin and of tribe, and the recurring competition for
position or
status within the tribe. In respect of this position or status, there
are also ritual
codes which - by indicating who shall count as senior and who is meant
to
defer - have the power to undercut any escalation towards
energy-depleting or
mutually destructive struggle. And there are games - and other forms of
ritual
combat - which can fulfill the same function.
We can also note the archetypal challenge of the stranger -
the unknown
quantity who may subvert all of our painfully negotiated codes of
honour and
status. In this encounter we start with an instinctive wariness... but
how fluid
can the transition be, towards a carefully staked-out mutual trust? Or
perhaps
we need to make the opposite transition: how efficiently can we spot a
serious
disruptive influence or an outright enemy?
Something else than bio-social...
As we develop a sense of this bio-social
perspective we find it already
resembles the landscape of our personal experience in recognizable
ways. There are familiar types of situation, parallel concerns, and
some of the
dramatic qualities which we know in everyday life. But there is also an
archetypal or dream-like quality, as if the action were located
somewhere else
than the time and the place where we face our daily struggles and
decisions.
Within our map of ascending systems layers, the bio-social layer is working busily away, somewhere beneath the surface pattern of our everyday being together. It is the secret source of the raw archetypal relationships that rise up between us: expressed in ancient stereotypes or roles, such ‘the husband’, ‘the mother’, ‘the child’, ‘the adolescent’, ‘the lover’, ‘the tiller of earth’, ‘the warrior’ or ‘the hunter’. I see these as archaic templates welling up from our collective unconscious, kitted out and ready for action, but somewhat stereotyped and tending to fall short of the subtlety and intricacy of everyday life as we know it. As archetypes they remain mostly hidden, and will normally only emerge into conscious awareness in the form of ritualistic theatre or in dreams. But within our theory of systems-layers they are defined as the biologically driven source material for our everyday motivations and commitments.
FROM HERE ON THERE IS NEW MATERIAL ABOUT TO BE ADDED - A REWRITE FROM THE YEARS 2009 - 2021.
how things are meant to be(19).
We can also
think of it as a another biological operating system which operates at
a higher
level (and having a different set of objects and linguistic operations)
than the
auto-poietic. It is generating the templates - a repertoire of basic
definitions and
roles - for each and every relationship which emerges into the
foreground of
our everyday life.
At least one further layer is needed, to render our
speculative map into a shape
we can recognize as the landscape we inhabit together in real time. We
need
this extra layer in order to account for the local flavour and
complexity which
pervades our personal lives. I call this the cultural layer.
It is a modulation of
our consensual domain beyond the bio-social, and is more
plastic and adaptable
in the here-and-now; it generates the local colour, the definitions of
situations,
and the roles we play within these situations, in our day-to-day
encounters and
adventures.
Bio-sociality and Culture
In earlier accounts of these systems-layers, I have spoken
about "the social layer" of our relationship with the
world; here we are seeing a vertical differentiation of this:
into a lower bio-social layer,
relatively unchanging, and a higher culfural layer which is more ready
to adapt
to the demands of the actual relationship that is going on. Within our
speculative model the bio-social layer has the function of delivering
raw
archetypal relationships and roles such as: "the husband", "the
mother", "the
child", "the adolescent", "the tiller of earth", "the warrior" or "the
hunter". I see
these bio-social roles as being kitted out and ready for action, but
somewhat
stereotyped and not quite believable in everyday life. They
are archetypes
which normally only emerge into our conscious awareness in ritualistic
theatre
or in dreams. In real life we meet with people - in whom the
archetypes have
been worked over and re-created in the form of a cultural identity. And
similarly, in a novel or film drama, the dramatist or novelist has to
work his
characters over so as to give them a believable cultural identity - for
we want
them to resemble the kind of person we might expect to meet in the real
world. In this world, every human life is embedded in a pattern of
intricate customs
and expectations; each one of us is a great deal more than a collection
of
archetypes. We have been born into a pattern of life, and this pattern
has
evolved through historical time in the bosom of living human
communities. And
so there are specifically cultural archetypes - which are
elaborations of the bio-social, and are continuously re-fashioned in
real time according to the desires,
aspirations and preferences of the present community. Some of these are
specific to the individual: certain people have aroused our admiration
or love,
and we have adopted their image - consciously or unconsciously - to
serve in
our gallery of role models. There are also collective cultural
archetypes. In the
ancient world these were mostly named as gods, angels or saints, but in
the
twentieth century they were replaced, to a great extent, by the
denizens of the
football stadiums, books, and the cinema and TV screens. They may carry
personal names - like David Beckham, Robert de Niro, Eminem, Nicole
Kidman
or Jean-Paul Sartre(20), or they may be
the well-known characters of film series or
soap opera: Superman, the Godfather, Little Nell, Amos 'n' Andy, Dirty
Den. We
often call them "larger than life", but what we actually possess is a moving
image: an image which dwells in the heart of the admirer. It is an
archetype
and not a person and yet - as an archetypal personality - it is very
much alive,
within ourselves and amongst the people we meet; it resonates through
the
intimate spaces in our lives, lending its unique flavour to our
everyday
expectations, impulses, hopes and fears. It is an essential ingredient
in the
personal mix or style which each of us develops in the course of our
lives.
The rich cultural differentiation of human communities (which
is much less in
evidence in the life of other anthropoid species) is almost certainly
bound up
with the development of our spoken and written language. Our cultural
interplay goes far beyond words, however, and includes artistic and
ritual
symbols, gestures, ceremonies and manufactured objects of all kinds.
What
marks these out as cultural is, firstly, that they are
readily exchanged, recognized
and empathised with by other members of the community. And secondly,
the
recognition depends upon the fact that each individual has a previous
acquaintance with the cultural item in question.
These cultural objects are the everyday furniture of the
landscape of fact, feeling
and action. They are the jam puffs, the angry facial expressions, the
cardboard
boxes, the mutual sympathy of lovers or the right to vote - the things
which
repeatedly come to the forefront of our attention, arouse our emotions,
and
inspire us to action. And so it appears that the cultural layer brings
us back at
last to our grounded experience in the everyday world.
Threaded through this cultural landscape, however, are the
elusive personal
factors which we spoke of earlier: our conscious awareness, our sense
of
having to make choices in real time, and the feeling that we are
somehow
responsible for the impact of our choices upon one another. These
factors are
dependent upon the cultural domain for their material - because it is
predominantly cultural objects that we bother about, that we
feel responsible for,
and struggle to make the best choices about.
What emerges from this argument, is that the personal domain
needs to be
recognized as one further higher level systems layer, above
the cultural; it is the
level at which our cultural activity is in question - where we are
evaluating and
redesigning our own cultural process in action, as we go along. It
follows that,
as we explore the personal landscape in the chapters which follow, we
shall
need to take account of these parallel sets of factors - on the one
hand, the rich
pattern of cultural definition and motivation; and on the other, the
more
personal questions of what we really mean by our actions and
reactions.
Our next step will be to start to organise our insights in
relation to our actual
experience of the personal landscape. From here on the approach brings
increasing levels of practical implication, into what has been much
more of a theoretical survey up to the point we have reached so far.
Thus a new section
of the book begins here.
NOTES TO
THIS SECTION
1. Link to
this section.
2. I am using the word "subjectivity" in the
present context simply
because it is the term which will be familiar to most readers. Later in
this chapter I shall introduce the word mine-ness (which
means: the attribute of being mine) in order to emphasise
that all the key words: "subjective", "perception", "feeling",
"thought",
"author", "initiator", "judgment" and "action" have an implicit
reference to the person who owns them - who can say of them:
"This is mine!" or "This is me!" This follows
the usage and the reasoning which is presented in the authoritative
work by Paul
Ricoeur: Oneself as Another (University of Chicago Press
1992).
3. The existence of multiple points of view
is implicit in the very fact that we communicate with one another. We
sometimes overlook how much the scientific enterprise depends upon this
interplay of different points of view. But even in the
transactions of everyday life, it is the multiple points of view,
converging towards a many-dimensioned consensus through
dialogue, which enable us to pick out invidual beings as existing
in their own right - and independently of any one
individual or one group's experience of them. Thus we recognize the
existence of other people as independent centres of
experience, and we recognize the stubborn, objective "being there" of
the material world whose traits we try to explore by
means of scientific method. The exchange of views within the
inter-personal arena is the necessary condition for an
awareness of both self and other, and for the beginnings of an
objective sensibility. cf Donald Davidson: "If I
were bolted
to the earth, I would have no way of determining the distance from me
of many objects. I would only know they were on
some line down from me toward them. I might interact successfully with
objects, but I could have no way of giving
content to the question where they were. Not being bolted down, I am
free to triangulate. Our sense of objectivity is the
consequence of another sort of triangulation, one that requires two
creatures. Each interacts with an object, but what
gives each the concept of the way things are objectively is the base
line formed between the creatures by language. The
fact that they share a concept of truth alone makes sense of the claim
that they have beliefs, that they are able to assign
objects a place in the public world.
The conclusion of these
considerations is that rationality is a social trait. Only
communicators have it."["Rational
Animals". Dialectica 36(4) (1982) p327].
4. This whole argument may be clarified if we
give some thought
to human language, in its parallels and contrast with the simpler level
of linguistic behaviour which was described by Maturana
and Varela (and which we discussed in the previous chapter). The
diagrams and arguments in the section entitled "Biology
of Cognition" have prepared the
ground for us to think about language as something we do together. Of
course language also has a subjective dimension in the
meaning it carries for each of us individually, but it is all too easy
to get lost in the subjective system of language and forget
that it is primarily a sequence of meaningful actions and reactions
between human beings. Language in the broadest sense is
what one person does - a speech act, which has an impact on
the internal state of the other person and incites them to re-orient
themselves to what is (for them, now) a changed situation. In
this sense we can say that every action and every gesture made
by one person in the presence of another, carries a linguistic
component.(See Watzslavick, P. et al. Pragmatics
of Human Communication for an excellent early study of this.) In
the case of the scientist, this includes the experiments he or she
performs
and demonstrates to his or her colleagues, and also the mathematical
constructions and theories by which the experiments are
interpreted. This is merely a restatement of what I outlined
previously, now referred more explicitly to the domain of spoken
and written language, and to the domain of scientific activity.
5. See note 2, above.
6. This account is in precise parallel with
that of Justus Buchler. See Towards a General Theory of Human
Judgment.
7. The theory of auto-poiesis was conceived as
an account of
biology and cognition, and the relationship between the two. (See "Auto-poiesis
and Cognition" by Maturana and Varela) .
8. Recognizing the huge complexity of our
animal body, we have
to think of each point on this diagram having the capacity to be opened
up to reveal sub-systems - new levels of complexity -
and themselves able to open up in turn, in the fashion of "Mandelbrot
diagrams" or as in a series of maps of the coast-line under
increasing scales up to and including the microscopic. We are choosing
not to enter into the details of molecular biology here,
but we take it for granted that molecular biological processes are
operating at lower levels of the system.
9. See Strawson, P. Individuals (London:
Methuen 1957) and
Ricoeur, P. Oneself as Another for further clarification of
this important principle - of the interchangeability of perspectives.
10. A more rigorous analysis would probably
show that the "events"
in these sequences cannot be correlated in any definite way, even if
the spans of time denoted are more or less contemporary. Dealing with
such questions would require we explore principles of relativity,
quantum theories of biological and subjective
time, and the meaning of the term "simultaneous". None of these
considerations, however, substantially affects the validity of
the present argument. For interested readers the best treatment of
these questions is probably still A. N. Whitehead's magnum
opus of 1928: Process and Reality. There is a very useful
treatment of the incommensurability of psychological and
material events from an empirical philosophical point of view in
DAVIDSON, D. Actions and Events
11. It was considerations such as this
which have led me to explore the theory of complex systems in a section
to be posted on this site at a later date.
12. See the discussion of Cerebellar Ataxia in
another section.
13. The relevant sections will be posted
on this web-site in due course.
14. For the time being I am leaving
aside our tendencies to fill our
conscious mind with daydreams, distractions and wishful thinking - the
present argument is about our real capacities and capabilities, if we
could only be awake to them.
15. We know that within a human life we recognize
one another -
and this includes the recognition of gender - from early in childhood.
So the "progression of changes" driven by reproductory
instinct includes this early socialisation - the first stirrings of
that personal identity which we will later carry with us into the
courting dance.
16. This account is intended to be read
in a flexible way, since it covers the sexual life of trees and ferns,
as
well as birds and bees.
17. We are not considering failed
marriages, or "uncommitted" sexual relationships here, since this is an
exploration of the phases of the life-cycle - in which the sexual act
is the prelude to conception and a lasting pair-bond at least for the
duration of the chidren's dependency upon their parents.
18. Compare BUCHLER, J.(1955): "The human
self, as some philosophers have recognized, is spread out in space as
well as in time. Its principal power is action at a distance. It is
connected
with other selves and with the world by unseen ties - of obligation,
intention, representation, conflict, memory, and love. Any
phase of the self's continuous movement may be regarded, abstractly, as
a position, an attitude potentially embodied in a judgment. The self's
spread, its relatedness, is the basis of sociality." (p 56)
19. This is lightly satirised in the
Princess' reactions to her ogre-rescuer in
the movie "Shrek". She keeps on expressing her concern that
things are not happening "how it's meant to be"! We can read
this as being Clarissa's private obsession with fairy-tales, of course
- but could it be that she is simply being sensitive to the bio-social
currents which nurture the roots of every story, and not only
fairy stories?
20. The actors and performers who are
called "stars" evidently have a
dual existence: they are everyday people, like you or me, but they also
provide the most essential ingredient in the media
construct of The Star; this is the element which dwells
within the hearts of the mass of the people, and leads an altogether
separate life from the person who has inspired it.
© all content: copyright reserved,
Michael Roth, March 2009
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